La Superba

$15.95

By Ilja Leonard Pfeijffer
Translated from the Dutch by Michele Hutchison

A master of language, Pfeijffer’s autobiographical novel about migration, illegal and legal, in Genoa tells the story of Europe today.

Publication Date: April 5, 2016

Paperback ISBN: 9781941920220
Ebook ISBN: 9781941920237

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Description

La Superba is a Rabelaisian stylistic tour-de-force set in Genoa, the labyrinthine port city (nicknamed ‘La Superba’) where the author has lived for the last six years. Migration, legal and illegal, is the central theme of this autobiographical novel about a writer who becomes trapped in his walk on the wild side in a mysterious and exotic Old World city.

Additional information

Format

Paperback, eBook

Excerpt

The most beautiful girl in Genoa works in the bar with the mirrors. She wears the same smart uniform as the other girls who work there. She also has a boyfriend who drops in on her from time to time at work. He uses hair gel and wears a sleeveless t-shirt with SOHO on it. He’s a moron. Sometimes I watch them in the mirrors, kissing secretly in the cubby hole where she prepares the small dishes that come with the aperitif.

This morning I saw someone on the Via della Maddelena who’d been robbed. ‘Al ladro!’ he shouted. ‘Al ladro!’ Then a boy came running around the corner. The man chased after him. He was wearing a white vest and he had a fat face and a fat belly. He looked like an honest man who’d learned to labour for a paltry wage from an early age. The boy ran uphill, to the Via Garibaldi, past the sundial and then carried on climbing, up the stairs of the Salita San Francesco. The fat man who’d been robbed didn’t stand a chance.
Later I sat out drinking on the Piazza delle Erbe. It’s such a singular place, evening comes around there without me having to organize anything. The orange tables belong to the Bar Berto, the oldest pub on the square, famous for its aperitif. The white tables belong to the trattoria without a name where it’s impossible to eat without a reservation. The red and yellow tables are from various cafes and behind them there’s another terrace, a bit lower down. I could look up the names if you’re interested. I was sitting at a blue table, on the upper part of the square, looking out onto Bar Berto’s terrace. The blue tables belong to Threegaio, once founded by three homosexuals who, after brainstorming for nights on end, still couldn’t come up with a better name than that. I was drinking Vermentino from the Golfo di Tigullio. Leaning against the building on a bar stool was an impressive butch wearing dark black sunglasses. That reassured me, she was always sitting there. Street musicians. Rose-sellers. And then she spoke to me. ‘There’s something feminine about you.’ She ran her fingers through my hair like a man claiming something as his own. ‘What’s your name?’ Her voice was like a docker’s. ‘Don’t worry, I’ve got it. I’ll call you Giulia.’

Awards

Winner of the Libris Literatuurprijs in 2013, the most prestigious literary prize in the Netherlands

Reviews

“Pfeijffer’s prose shocks and disturbs, and the reader both rejects what he says and yearns to hear more. . . . While the plot itself wanders, three predominant themes emerge: sexual identity, storytelling, and immigration, each a catalyst for transformation. . . . The book asks readers to reconsider the fragility of their own lives and identities and how easily they can be tested by mere relocation. It’s a sympathetic approach to the hidden struggles that immigrants of all backgrounds in Europe face, and a call to be more open and receptive to those on the outskirts of society — after all, it could easily be you.” — Alina Cohen, Los Angeles Review of Books

“Abundantly rich in provocative thought.” — Anna Patterson, World Literature Today

“If Italo Calvino decided to make one of his invisible cities visible, the result might look something like Pfeijffer’s Genoa: rooted in the real world of Europe in the age of mass migration, but abstract and mythic enough that the legendary Genoese travelers — Columbus, the Ostrogoths — could still find their way through its labyrinthine streets.” — Benjamin Moser, author of Why This World: A Biography of Clarice Lispector

La Superba offers an exotic form of chaos and tragedy, and an extremely truthful image of old Italian life in a postmodern city.” — Anna Alden, Three Percent

“Anti-Europeans will see this extraordinary book as a knowing critique of a spoiled, corrupt, and quarrelsome lot of countries; pro-Europeans will admire its wit and its love of place and history. Inevitably, some will dislike its cruel mockery of intellectual and moral ambitions and its bizarre take on sex and growing old, all of which forms part of a whole, abundantly rich in provocative thought.” — Anna Paterson, World Literature Today

“The stories related throughout La Superba are attention-grabbing and entertaining, sometimes surreal, and at times downright grotesque. But while flirting with the obscene, the novel’s rawness also manages to strike a sympathetic chord.” — Michele Hutchison, Asymptote Journal

“Tragedy and comedy, life and death, sex and love–these are just a few of the themes explored by Pfeijffer in his wise, brave, gripping novel.” — Willard Manus, Lively Arts

“Part travelogue and part migrant novel, this story about down-on-their-luck fortune-seekers and a quest to find ‘the most beautiful girl in Genoa’ is larger-than-life–but, as the author points out, exaggeration doesn’t mean that it’s untrue.” — Susie Rodarme, Book Riot (7 Small Press Books to Read in April)

“Deranged and hilarious…With a raucous style and barbed wit.” — Peter Simek, D Magazine

“I love La Superba! No wonder the Dutch author and narrator have both relocated south to Genoa, the city called La Superba. This book tells the amazing, hilarious, sad and pathetic story of modern Europe. Immigration, great beauty, worse ugliness, history, culture, life all figure here. Thank you, Deep Vellum, for bringing this masterpiece to readers here in ‘La Merica.'” — Lynn, Valley Bookseller (Stillwater, MN)

“An enjoyable—and sometimes very funny—ride. Pfeijffer’s style is easy-going, but the poet in him remains attentive to language throughout: for all the casual feel of the novel, it’s also a carefully, even precisely written one. Good fun.” — Michael Orthofer, The Complete Review

“Pfeijffer’s self-deprecating humor and moments of lyricism make La Superba a gem.” — Rachel Cordasco, Bookishly Witty
“It’s witty throughout, it’s well written and it’s an ode to the imagination.” — NRC Handelsblad

“You read his salutary, pleasure-seeking prose to feast upon language. Bravissimo.” — Vrij Nederland

“Wonderful.” — Het Financieele Dagblad